The world of the arts is profoundly interconnected; authors, screenwriters, poets, and playwrights have been alluding to other works for as long as they have been producing works of their own. Perhaps nothing is more rewarding than coming across an allusion in a work and actually understanding what it is referring to and why. While some of these references are results of the artist’s own saturation in another work, most allusions are constructed with an intended purpose. The Bible is the most-widely read book in history, and as such, it has been alluded to more than any other piece of literature ever penned. Nearly every movie you watch, book you read, or song you listen to will be interspersed with allusions to the Bible. With this in mind, I want to spotlight a few significant allusions to the Bible found in Quentin Tarantino’s film, Inglourious Basterds.
Quentin Tarantino has been hailed as one of the greatest directors and screenwriters of our time. He operates under his own extraordinarily unique style and has written and directed some of the most recognizable films in recent memory: Pulp Fiction, Reservoir Dogs, Django Unchained, Kill Bill, and Inglourious Basterds, to name a few. To me, it is no coincidence that this highly-decorated director and screenwriter is able to connect his movies to important works in history.
Heroes come in all manner of different packages, and every heroic story carries with it a unique set of circumstances and motivation. The other noteworthy allusion to the Bible present in this movie deals with a heroic event straight from the book of Judges. Shosanna Dreyfus is a Jewish girl who manages to escape the red hands that so easily subdued so many like her. She fled to Paris, France and became the owner of a cinema under an alias. With the image of her family’s blood-spattered bodies still fresh in her mind, she jumps at the first opportunity for revenge on the Nazi party. The Third Reich throws a grandiose movie premiere that sees the most high-ranking Nazi officials in attendance. The venue? None other than Shosanna Dreyfus’ cinema. Feeling the grasp of enemy suspicions slowly tightening around her, her carefully laid out plan to end the lives of the people attending the premiere soon becomes a plunge into martyrdom. Like Samson, who kills his captors in Judges by toppling the building from the inside out (Judges 16:30), Shosanna sets her beloved cinema on fire while still in the building with those whom she intends to kill. Therefore, she does more for her fellow Jews in death than she could ever accomplish in life. Among those who were in the cinema as it burned to the ground? Adolph Hitler himself. Shosanna sacrificed her own life in order to take the life of the man responsible for her people’s persecution. This event obviously echoes the story of Samson.
These allusions were not made by accident, and I do not think it is a small matter that they were made to the book upon which the Jewish people base their beliefs. While Inglourious Basterds is not a foray into religion, it does retrospectively provide justice in a way that echoes Old Testament values. These allusions help probe into the age-old questions surrounding the God of the Jewish people and his apparent absence when they needed him most.
